Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Tuesday, 26 August 2014

Ursa Major Ursa Minor


He was my bear, a hulk, a mess of a man. Dark hair, sharp claws digging deep into my honey-hair. There was always a little part of me that was afraid of him, one swipe and my face would be slashed, my chest bruised, my arms aching. But he never hit me, not once. I had been with men like that, sneaking, small looking men. Men who had pinched and scratched my arms, men who hurt me with their sneering words. But my bear, gingerly balanced on his hind legs, his mouth opened in a snarl, never hurt me.

We would play, rolling through pine needles and mud. Sometimes it got a little rough, but he knew when to stop, he never took my ‘yes’ for granted. I was shorter than him, shorter than most people, so he was always careful. Yet, he did not treat me like a little piece of porcelain, easily broken and shattered. He knew a girl like me wasn’t like that. He could toy with me, make me get dirty knees and rough fingertips. I knew I was more beautiful now than I had ever been, leaves and grass caught in my hair, grime under my nails, clothes ripped and muscles lean and strong.

I did like our den, hidden away, south facing. A sweet scent of pine and the river, where he would go daily and get us fish, or hunt through the woods and bring back rabbit or deer. He always enjoyed his meat too rare, it was something I never grew to like. I would keep our cave clean, most days I had to change our bed; a pile of warm grass, lamb’s wool and herbs scattered amongst our bedding to keep the bugs out. Sometimes I’d decorate the cave with flowers, finding places for them in chipped mugs and glass jars. The bear wasn’t too keen on those, if he’d see them he’d just shrug his shoulders and grunt. I think secretly he liked my touches.

Then it was night, darkness creeping into the forest a lot quicker than in the town. The trees ink black spikes standing against a backdrop of navy blue night sky. There were so many stars here, I asked the bear to teach me their names. He only taught me two, Ursa Minor and Ursa Major.
“What about the rest?” I said.

“They’re just stars, what does it matter? They don’t do anything.”

“But some people say…”

 “Some people say a lot of things, don’t think they’re right by any means.” he rolled onto his back, while I twisted my fingers in his hair.

“You’re stubborn.” I smiled.

 He turned his head to look at me, “Well noted, my girl.”

I traced the curve of his ear, “I love you, my bear.”

 He grunted and shut his eyes as though he would sleep, though his smile was honey sweet. I knew he would never say it. “Sleep girl.” he said.

“Goodnight, bear.”

He chuckled and buried his nose into my hair.

He got caught in the glen, an iron trap catching his leg and making him howl with pain. I heard him and dropped my basket; smears of red berries on my feet, where I stepped on the fallen fruit. I ran through the woods, my heart thumping painfully and my muscles burning. I crouched down when I saw them, the men with their guns and laughing smiles, the dogs barking and pouncing at my bear. One man walked forward, the low brim of his cap hiding his face,

“Where’s the girl?”

“I don’t know.”

I flinched when the man slammed his boot into my love’s face, the bones crunched underneath and my bear spat out blood.

“Where is she?” the man hissed.

“I don’t know.” growled my bear. He stared the man down, hands tightening into fists.

“Well,” the man smirked, “She won’t survive for long without you, will she?”

My bear didn’t look at him, “She’s a lot tougher than you think, dog.”

I did not feel very strong when his head whipped round at the force of the man’s punch, my poor bear’s lip was split, his nose broken and still he looked up at the man.

“We’ll go, the little fool can starve.”

I watched them leave. A crow cawed at the darkening sky and I felt the cold silence of the wood press down on my ears. I didn’t wait to hear my bear howl. I followed the twilight creeping along the paths in the forest. I bit my lip hard, till a dribble of blood ran down my chin. The first thing he taught me was to keep walking. I kept walking till I couldn’t hear or see or feel anything. The world was dead. So was my bear.

Wednesday, 19 March 2014

Why Nobody Cares About Fanfiction


So today I was lying on my bed, being ill, and thinking to myself 'What's the most dangerous title I can use on the internet...?'

I'm joking! And the title is only partly true. Why does nobody care about fanfiction? Being a Lit and Creative Writing student, in all honesty, I'm surprised people don't notice it more. It's a powder keg of imagination and amazing ideas...and most people are just like 'Fanfiction...girly fantasies...probably with a Mary Sue or two and some smut." Now, I'll admit it, some fanfictions are like that and I may have read one fanfiction that was like that...or two...The point is, while there is some truly god damn awful stuff that makes me want to cry and tear out my eyeballs; there is also some really exceptional literature on there. And a lot of that work deserves a mainstream audience and deserves to be published. Now I don't often say to people their work deserves to be published, because I'm a critical bitch like that (seriously, I used to relish reading my friends' essays and getting out my red pen...it's like a nerd high). But for those of you who did get the 'This should be published' comment, that's the highest Hannah accolade you can achieve! So well done to you guys for achieving that if you have done.

It saddens me that a good deal of the fanfiction universe is dismissed as delusional. Having written a lot of fanfiction, I often feel that I can't bring it up amongst my family or friends (even those who are writers and love the fictional universes created in the books they are reading). It's seen as a waste of time, not only by family and friends, but by critics and authors as well. Which is ironic, seeing as how popular sequels and prequels are in mainstream publishing, even if they're not written by the original author. I still feel ashamed of writing any of my fanfiction, because I've been told it's not worth anything. I can't show it to a publisher, I can't show it to a teacher or even my parents. I can only share it amongst people who are just as passionate about a fictional universe as I am, some of them I've never even met in the flesh before. Fanfiction should be a compliment to an author (unless you're doing some truly whacky stuff with the characters). It means an author's story didn't just linger in that person's mind, they pursued it and explored multitudes of different stories, characters, beginnings and endings. We all to easily lament children's unwillingness to read or write, yet when they are inspired by a book, film, tv show and want to write because of that, we then treat their efforts as futile and a waste of time because it isn't completely original. Let's face it, not even Shakespeare was original, some of his best work was 'borrowed' from another writer! Romeo and Juliet, Othello, etc. And his work was often better than the original writer. Romeo and Juliet stopped being a morality tale of 'This is what happens when you disobey your parents, you die' story to 'The greatest romantic tragedy ever told.'

Yet fanfiction is one of the most amazing steps in internet communication and uniting people within a fandom. Unlike mainstream publishing and media communications, fanfiction tends to be solely written and read by women. It often creates a supportive and helpful environment, assisting new writers with their growing talent and creating a place where information and news can be shared. I shared my excitement with my regular reviewers of being published in an online magazine, I know one girl who often talks about her upcoming book deal and the wonderful thing is there are people who are excited about this and eager to help in anyway they can. That girl has a strong supportive background from all her regular readers, who will then be willing to purchase her new book. It's networking and proof of talent at its finest.

Why on earth would anyone be dismissive of a growing literary community like this? Encouraging young writers and extolling those who are going onto proper publication? Fanfic writers don't make any money or really gain much acknowledgement, certainly not from literary circles. The only reason they write is because they have to. With any story told there are dozens of other stories that come from that, and I for one believe strongly, someone like Tolkien would have been more than happy with this effort. He might not like the style of the story, who we ship the characters with or where the story ends up, but he was a man who loved mythology and the idea of stories stemming off from stories. He wanted a new mythology to be created and it truly was, and continues to be so. I think the idea of a pure form of literature is ridiculous, because we all interpret stories in different ways. I read Lord of the Rings with previous mythology and religion in mind, while someone else may read it with World War One/Two in mind and how this changed Tolkien's views of the world he lived in. Writers themselves do not just have one original story that they write from beginning to end and then publish. They edit it and change plots and subplots, add or get rid of characters. I know in one of my fanfictions I decided to delete something like ten chapters I had written, to take the story in a completely different direction, because the original story was no longer working.

So put down that 50 Shades of Shit...not even going to lie, it's awful. I got to the first page and it already disobeyed writing lesson 101 - Thou shalt not have a character sit in front of a mirror and describe their appearance. I won't even mention about what happened when I skipped to the first sex scene *shudders*. Below are some truly amazing fanfiction, mostly rated T-M (if you don't know what that means, you soon will do!) and please give them a try. It's not all about the fluff and smut, it's not about putting together two unlikely characters and expecting them to miraculously full in love. These writers know what they're doing and they do it well. The stories are incredible, the characters are fully formed and certainly worth the hours put into writing these tales.

A Rose Among the Briars - By Mercury Gray - Lord of the Rings - Boromir/OC
Heart's Desire - By Aerus - Lord of the Rings - Eomer/Lothiriel
Rider of the Mark - By Zeesmuse - Lord of the Rings - Gamling/OC
Receiver of Many - By Kata Chthonia - Greek Mythology - Hades/Persephone 

Here's the link to my fanfiction page: https://www.fanfiction.net/~1607hannah

Thursday, 13 March 2014

Exciting Times!


So some of my plans for next year are going to involve me being very busy, and my mother probably saying 'Hannah, you've got too much on your plate!' But I'm genuinely very excited about all of this.

My first plan involves poetry and dance. My housemate Nick is a performance poet and a very good one too! This is a video of a poetry slam he organised and I was particularly inspired by the beautiful dance performed to a poem, written by Keren Margetts (she's the dancer furthest away).


As a contemporary dancer of fourteen years I love experimenting with different styles of theatre and dancing. So something I'm now planning for my third year, is working with my housemate Nick to set up a production of dance set to performance poetry. I think this'll be a great way of boosting up public appreciation of performance poetry and develop a new style of dance, where the focus lies on the beats of the word, the human body and our own natural rhythm. I'm going to be talking with Nick and Keren soon, so hopefully all goes to plan, otherwise I may have to seek help elsewhere.

I've got two plays being planned as well. My first one is a collaboration with another housemate, and we're hoping to do a radio play. I'm also working on my own play, a dark drama looking at the world's obsession with sexuality. I love Theatre of the Absurd, Theatre of Cruelty, Physical Theatre and Brechtian styles. So I'm really hoping I'll get to explore these more if I'm working with a small group of people. I really want to go further with my directing and production manager, though I'll probably work with someone else. I can't wait to work with a group of people whom I know I work well with and who can produce the best results. I'm not talking about people always agreeing with me, but just knowing I won't be going home each night, desperate to tear my hair out in frustration!

So watch this space...exciting times ahead!


Friday, 7 March 2014

How to Write Historical Fiction


So I'll admit it, my count for published historical fiction is zero, BUT I would like to someday in the future! Several of my friends have noticed within our classes, how hard it is to get decent feedback for written historical fiction. We're taught not to use overly complicated metaphors or archaic language, yet these are common for books written during most historical periods. There is also the added difficulty of historical accuracy, very few people in any writer's workshop can often claim to have a large amount of historical knowledge. But there are a few guidelines and practices that I have found useful, when practicing my writing of historical fiction.
  • Read up on the time period you are writing in - This can be both historical fact and fiction, often I've found the best ways are through good fiction writers, but non-fiction has its uses and you won't learn everything from fictional accounts. I recommend Philippa Gregory, Hilary Mantel, Eva Ibbotson, Adeline Yen Mah, John Boyne and Markus Zusak.
  • Research about a normal day - If you have some characters in your mind, find out what would have been a normal day for them. Shocking political upheavals and plagues aside, learn what they would have done in the morning, how their family would have spent their time, what they would have eaten, what would they have talked about. The key with historical fiction is in subtle details, interwoven into the plotline. There will be all sorts of things you haven't ever thought about, but do so when just describing their day and it's a good way to kick start your research.
  • Don't just rely on firsthand testimonies - This is mostly for 20th Century historical fiction (unless you happen to know someone who was alive during the battle of Hastings)! While firsthand accounts are useful, whoever you're gaining the information from won't be omnipresent. So make sure you have knowledge of both the period and events going on. The invented character can be naive or, like many people, not entirely aware of everything going on, BUT you should be. Your informant may have forgotten certain parts of what happened and you may want to change the story in some way. Remember the key is in subtle details and if you don't know something it will show.
  • Don't rely on films - As fun as films are, they have a perchance to take a few liberties with historical details. Some are perfectly reasonable, but most of us would draw the line at landing craft, that weren't even invented until 1920, in a medieval film *coughRobinHoodcough*. Also, most films and TV shows use modern phrases to make their characters more appealing or to market it better to the public; and it's unlikely anyone was as gorgeous as...





Or: 

Or: 

However, drooling over the above men is perfectly acceptable!

  • Having said that... - Don't bawl your eyes out if you don't know something and can't find it out. Sometimes what you want to know is so obscure and bizarre, you won't even be able to find it in any books, articles or online journals. Take a good guess or move onto the next bullet point...
  • Historians are your friends - Sometimes this won't even be a professional historian, just a person who bloody loves whatever era you're writing about. If you give this person you work to critique, don't get pissy if they leave little historical notes all over your work. Run to them, kiss them and seek their advice. Take this opportunity to learn more from someone who's already done a load of research for you! They're not criticising you, just your work.
  • Historical criticism is just as useful as writing criticism - I don't understand why this divides some people, apparently you're only meant to look at the writing itself, but if you had made an error with a Sci-fi book (say a particular piece of science) or a murder mystery (say police organisations) then people would point it out as a flaw in your writing. Getting things badly wrong in a historical novel is not something you want a publisher or agent to see. As I've said, sometimes you can take liberties, but it's better to know what you're talking about when it gets to that stage.
  • Immerse yourself in the world - Visit castles, visit museums, visit churches, visit wherever your character toddles off to; within reason obviously, but find pictures and written pieces about the place. If your character likes certain places, e.g a woods or lake, try to find one near you and picture your character there. See if you can make a dinner they would have eaten or spend some time doing the activities they would have done.
  • Get to know the Bible - Yes this sounds weird, I'm not trying to convert anyone I promise! But generally, if you're writing about a time in European history, then the Christian faith was a big part of everyone's life for thousands of years. Catholic, Church of England, Protestant, Quakers, learn how religion influenced every day life and huge political goings on. Naturally, if you're writing about China in the 12th Century, you don't have to worry so much about this!
  • Get to know stories - Arthur and the Knights of the Round Table, Greek Myths and Legends, Shakespeare's work, etc.
  • Enjoy doing what you do best - Writing a great story and getting to research your favourite historical period.


Good Luck!